In “Interaction of Color,” Joseph Albers asserts that “color is almost never seen as it really is—as it physically is. This fact makes colors the most relative medium to art.” Fragrance, like color, shares this property of subjectivity, its experience changing with each interaction. In Impressions, we depart from the brand story of a perfume and hear from the audience, the wearer of the fragrance. These singular reflections are a reminder that a perfume is not fixed—rather, it carries a multitude of meanings and dimensions.